Siamo tutti bislacco.

“Do not deceive yourselves. If any of you think you are wise by the standards of this age, you should become ‘fools’ so that you may become wise. For the wisdom of this world is foolishness in God’s sight. As it is written: ‘He catches the wise in their craftiness’; and again, ‘The Lord knows that the thoughts of the wise are futile.’” - 1 Corinthians 3:18-20

Arlecchini

14"x18" - Acrylic on canvas -

Enthusiast

30"x48" - Acrylic on panel -

St. Wormy the Beloved

30"x48" - Acrylic on panel - $1000

Be a maker.

4"x5" - Acrylic on canvas -

Extra Ordinary

Holy Mundane - 18"x24" - Acrylic on canvas panel -

Just be.

Holy Mundane - 18"x24" - Acrylic on canvas - $700

Holy lowly 1

12"x18" - Acrylic, latex and gold leaf on panel - $500

Holy lowly 2

12"x18" - Acrylic, latex and gold leaf on panel - $500

विदूषक - (Vidooshak) The fool in you

18"x24" - Acrylic on unstretched canvas -

Life is too short! 1

24"x36" - Acrylic on unstretched canvas - $500

Life is too short! 2

24"x36" - Acrylic on unstretched canvas - $500

Life is too short! 3

24"x24" - Acrylic on unstretched canvas - $400

Life is too short! 4

24"x24" - Acrylic on unstretched canvas - $400

जोकर 1 - (Doofus)

24"x24" - Acrylic on panel - $600

जोकर 2 - (Doofus)

24"x24" - Acrylic on panel - $600

Life is too short...

5'x8' in Zamrudpur, New Delhi, India

Little big man

18"x18" - Acrylic on canvas -

Lift off!

Collaborative mural with Josef Kristofoletti and Lorenzo Fonda - Space 12, Austin, TX

Tune beast

Painted camper - Space 12, Austin, TX

L’amour de Dieu est folie!

A mural I quickly did in Zamrudpur, a village within New Delhi (me in the background).

I later saw that the line of the drawing I've been playing with moved similar to written Hindi script, so I incorporated some Hindi into my mural design. At the top it reads: जीवन बहुत छोटा है Jīvana bahuta chōṭā hai (Life is too short). At the bottom: Zamrudpur ko pyaar do (Love and serve Zamrudpur).

(from youtube description) During the 2nd annual International Artist Residency, Arjun B.K. and Sam Albert from the Khushbu Project joined Francisco Enuf Garcia in a rap about Delhi as Richie Santostefano completed his art piece on "L'amour est folie."

About the Artist

My name is Richie, though I often go by Mick. I was born in Syosset, New York, and raised in a military family that moved often, leaving me with a patchwork sense of home and a deep respect for change. I studied fine art at the School of The Art Institute of Chicago, and today I live and work in Austin, Texas. This is where I make art, raise a wild and wonderful family, and collaborate with my brilliant wife, Suzanna - an endlessly inspiring artist and creative force. You should absolutely check out her interior design work.

Contact

Artist Statement

This series which I've started back in 1999 and spans almost 20 years in the making explores both the familiar and mundane through the shifting lenses of time, space, history, and aspiration. Travel (especially by car) is one of the most common experiences we share. For many, it’s tedious. For me, it’s a metaphor that never stops unfolding. There’s something profound about having left one place and heading toward another, all while the present moment slips past in a blur, just outside our focus. It mirrors life and the fleetingness of now.

On long drives, especially through deserts and plains, light and landscape converge to form what I think of as a 'drishti', a focal point that invites a kind of transcendent awareness. In those moments, the past, present, and future seem to collapse into one. The illusion of linear time falls away, revealing a sliver of the pure presence of now.

For me, the act of making art is much like this experience. I’m drawn to that same sliver between idea and execution, where instinct takes over and wonder lives. I’m not simply chasing a finished piece, but searching for something raw and vital within the process itself. My hope is that these works offer a pause, a moment for reflection, perspective, and perhaps even comfort in the routine rhythms of daily life. That they prompt viewers to consider where they stand in the flow of time, suspended between memory and anticipation.

Alongside this series is a companion body of work that shifts the focus away from the driver's path and toward what drifts by in the periphery. These pieces are painted in oil over acrylic or latex, and sometimes purely in acrylic. I work on both found objects and hand-stretched canvas, following wherever the materials and moments take me.

“I removed the freeway from its temporal context. Overpasses, cloverleafs, exit ramps took on the personality of Mayan ruins for me. Without destination, without cessation, my run was often silent and empty; there were no increments, no arbitrary graduations reducing time to functional units. I abstracted and purified.” ― Tom Robbins, Even Cowgirls Get the Blues

Statement

This series explores the familiar and mundane through a perception of time and space, history, and aspirations. Travel for me, especially in an automobile, is about as common an experience as you can get. It is tedious for most, but I find myself captured by the metaphor of having left a place and headed to another, while the present blurs by in my peripheral vision. The simple metaphor of our lives and the fleetingness of now. On long trips, especially when occurring in deserts and plains, compositions of light and landscape create a Drishti - a point of focus that allows for a transcendent experience and ultra-awareness of place and time, helping me to contemplate the realities of time. The past, present, and future converge, and the illusion recedes to reveal a sliver that exists between the past and future - the now. For me, the artmaking process is similar to this experience. I'm aiming to find that sliver between idea and execution and remain there: I am not just seeking to achieve an end product but to find the raw, creative sense of wonder within the act of making. My hope is for the viewer to find perspective, contemplation, and consolation in the mundane business of day-to-day life and to consider the moment in time in which one exists in relation to their past and future. I have a coinciding series of paintings that focus on the peripheral passing moments rather than the driver's perspective of the past and future. In most of these paintings, I use oil on acrylic or latex, or just acrylic. I enjoy painting on found objects as well as stretching my own canvas.

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